Great Gifts Of Chance

Great Gifts Of Chance
Andreas Albrectsen, William S. Burroughs, Claus Carstensen, Lars Christensen, Jacob Kirkegaard, Henrik Menné, Julie Nord, Niki de Saint Phalle, Richard Serra, Steve Reich & Torben Ulrich
15.8 – 19.9.2015

List of works
About the artists
All works by Torben Ulrich

Office
Susanne Mertz
Bysbarn

Med udstillingens titel venligst udlånt af filmskaber Jørgen Leth kan vi passende erindre scenen fra Det legende menneske (1986), hvor tennisspilleren og billedkunstneren Torben Ulrich dypper tennisbolden i maling og gentagende gange skyder den op på papiret. Boldens aftryk indgår i kompositionen af det færdige værk og lader selve udførelsen for altid stå og sitre i billederne. Med muligheden for at vise en serie af disse værker har gruppeudstillingen Great Gifts Of Chance taget form. Den præsenterer værker hvor ’tilfældet’ har spillet ind i udførelsen og processen spiller en hovedrolle i resultatet. Det færdige værk bliver aldrig ren overflade, men peger insisterende på sin historie og inviterer til udforskning af den. I nogle af værkerne er historien skrevet for længe siden, i andre for nylig og i enkelte skrives den faktisk direkte under udstillingen.

With the title of the exhibition kindly lent by Danish filmmaker Jørgen Leth we can appropriately remember the scene from his film Moments Of Play (1986), where tennis player and artist Torben Ulrich is dipping the tennis ball in paint and repeatedly hits it up on canvas. The ball’s imprint are part of the final works composition and leaves the actual execution to always stand and quiver in the pictures. With the opportunity to display a series of these works the group show Great Gifts Of Chance have taken shape. It presents works where ‘chance’ plays a part of the execution and the process plays a key role in the result. The finished work will never be just the seemingly, it will insistently point on its history and invite us to explore it. In some of the works the story is written long ago, in others recently and in a few it will actually be written during the exhibition.

Thanks to the artists, Børge Igor Brandt, Molly Martin, Lars Movin, Jørgen Leth, Steen Møller Rasmussen, Jens Kristian Zink, Yuri Zupancic from Estate of William S. Burroughs & KUNSTEN, Museum of Modern Art Aalborg.

William S. Burroughs works is courtesy of © Estate of William S. Burroughs.
Lars Christensen is represented by Bendixen Contemporary, Copenhagen og Anne Mosseri-Marlio Galerie, Basel.
Niki de Saint Phalles work is courtesy of KUNSTEN, Museum Of Modern Art, Aalborg.
Steve Reichs work is performed by kind permission of Universal Edition.
Richard Serras works is shown by kind permission of Copydan, BilledKunst.

OFFICE:
Susanne Mertz
Bysbarn
15.8 – 19.9.2015

Opening: 14.08. 2015, 5-8pm

Text in English below

I 1969 skulle jeg fotografere en række huse ude på Christianshavn for Flemming Quist Møller, til en film om narko. Jeg fotograferede husene rundt omkring i gaderne, og blev betaget af butiksfacaderne. De fleste af dem var gamle og nogle var lettere faldefærdige, men med meget intakte og fine små butikker. De bar præg af de mennesker der havde dem og havde hver især et helt særligt udseende. Jeg blev optaget af måden tingene var udstillet på, skiltene i vinduerne, hvilket signal de sendte og denne opgave fik mig i gang med at fotografere rundt om i byen.

Et billede er taget ude på Vesterbro af en forretning med brugte møbler. Over vinduesudstillingen med lænestole og divaner, hang der et skilt hvorpå der stod: ” Aldrig gifte Dem før de har besøgt dette sted ”. Nogle år senere kom forfatteren Dan Turell forbi og undrede sig over at se en forretning med en tekst, hvoraf nu sidste linje manglede, så der kun stod: ” Aldrig gifte Dem” henover et tomt vindue. Det skrev han så en lille klumme om i Politiken. Jeg svarede ham med et brev og fotografi fra dengang og løste gåden for ham. Han sendte så en bog til mig, hvor der i dedikationen stod:

Kære Susanne
Tak for dit billede!
Skønt at få svar på
de spørgsmål man stillede…

Dan

Susanne Mertz, 2015

Igennem snart et halvt århundrede har Susanne Mertz fotograferet Københavns gader og facader. Udstillingen viser et stort udsnit af hendes altid uprætentiøse by-scener, der står skarpt komponerede som præcise angivelser for vores erindringers slørede tidslinjer. På demokratisk vis spiller elementerne i fotografierne sammen til ærlige pejlemærker i byen med dens bygninger og mennesker, med de daglige rutiner eller de overraskende optrin. Den meterhøje fotostat af Trikotage, St. Strandstræde vil indgå i udstillingen, den blev første gang vist på Kvindeudstillingen “XX” på Charlottenborg 1975.

Susanne Mertz (1946) blev udlært hos fotograf hos Rigmor Mydtskov og Steen Rønne, 1967. Hun har undervist i fotografi på Krogerup Højskole, 1977-80, på Det Kgl Danske Kunstakademi, København 1980-95 og var medstifter af Billedhuset i 1984. Hun er særlig kendt for sine portrætter, sine koncertfotos, bybilleder og som stillfotograf på film og teater. Hun har flere udstillinger bag sig og udgivet flere bøger med sine fotografier.

–

In 1969, I had to photograph a number of houses in Christianshavn for filmmaker Flemming Quist Møller, for a film about drugs. I photographed the houses around in the streets, and was captivated by shop facades. Most of them were old and some were slightly dilapidated but yet still with much intact and fine shops. They were characterized by the people who ran them, and each had a special appearance. I was taken by the way things were exhibited, the signs in the windows and what they said. This assignment got me started photographing around the city.

One photograph is taken out in Vesterbro; the storefront of a business with used furniture. Above the window display with armchairs and couches, hung a sign that read: “Never marry before visiting this place.” Some years later the author Dan Turell passed by and wondered seeing a sign with a text, where the last line now was missing, leaving only: “Never marry”. He wrote a short column about it in the newspaper. I answered him with a letter and photograph from that time and solved the riddle for him. He then sent a book to me, where the dedication read:

Dear Susanne
Thanks for your photograph!
Lovely to get answers to
the questions one asked…

Dan

Susanne Mertz, 2015

For almost half a century, Susanne Mertz has photographed Copenhagen’s streets and facades. The exhibition shows a large selection of her always, unpretentious urban scenes that are perfectly composed as precise indications for our memories blurred timelines. In a democratically play between the photographs elements they become honest pointers in the city with its buildings and people, with the daily routines or the surprising sceneries. The large format photo ”Tricotage”, St. Strandstræde will be included in the exhibition, it was first shown at the Women’s Exhibition “XX” at Charlottenborg, 1975.

Susanne Mertz (1946) is trained as a photographer with Rigmor Mydtskov and Steen Ronne, 1967. She has taught photography at Krogerup Folk High School 1977-80, at the Royal Danish Academy of Fine Arts, Copenhagen 1980-95 and was co-founder of Billedhuset in 1984. She is particularly known for her portraits, her concert photos, city-scapes and as a still photographer on film and theater. She has had numerous exhibitions and published several books of her photographs.